Abstract:
Three versions of a paper explaining the procedure for preserving manuscripts at the Bahá'í World Centre, using the example of calligraphy by Mishkín Qalam. Includes high-resolution sample of Qalam's artwork.
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1. "The Conservation and Restoration of a 19th century calligraphy of a Bahá'í Writing in Arabic"
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![]() 1. Calligraphy before treatment |
![]() 2. Calligraphy after treatment |
![]() 3. Fotoflat with adhered loose paper pieces |
![]() 4. Close-up of the skinned area before treatment (left) and after treatment (right) |
![]() 1. Station of this Day by Mishkin Qalam |
![]() 2. Mishkin Qalam aged around 50 |
![]() 3. (left) Close up of the skinned area at the top left corner 4. (top right): Arabic Verses by unknown calligrapher penned in 1901. 5. (bottom right): Skinned pieces stuck on the Fotoflat from the verso of the above calligraphy |
![]() 6. Solubility of the unaged Fotoflat in various organic solvents |
![]() 7. (left): Set up in the fume hood with small skinned piece immersed in toluene 8. (right): Area of calligraphy repaired with Klucel G. |
![]() 9. After treatment image of the Station of this Day |
![]() 10. Close up views of the skinned area before and after treatment |
Click here to download: ishikawa_calligraphy_2007.pdf [PDF, 1.5MB]
click to download ishikawa_calligraphy_2007.pdf
METADATA | |
Views | 8491 views since posted 2014-03-19; last edit 2024-10-15 15:29 UTC; previous at archive.org.../ishikawa_ravines_restoration_calligraphy |
DOI | 10.1515/rest.2005.26.3.203 |
Permission | fair use |
History | Formatted 2014-03 by Jonah Winters. |
Share | Shortlink: bahai-library.com/1792 Citation: ris/1792 |
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