BOOK REVIEWS (continued)
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![]() ![]() Paradise and Paradigm: Key Symbols in Persian Christianity and the Baha'i FaithAuthor: Christopher Buck
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KEY SCENARIOS | ||
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Persian Christianity | Bahá'í Faith | |
Doctrinal | the way | the promised one |
Ritual | the robe of glory | the covenant |
Ethical | sons and daughters of the covenant | illumination |
Experiential | the wedding feast | the lover and the beloved |
Mythic | the harrowing of hell | the maid of heaven |
Social | Noah's ark/the mariner | crimson ark/holy mariner |
ROOT METAPHORS | ||
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Persian Christianity | Bahá'í Faith | |
Doctrinal | the physician | the physician |
Ritual | the medicine of life | wine/the water of life |
Ethical | the mirror | mirror/gems |
Experiential | the pearl | the journey |
Mythic | the tree of life | the lote tree/Sinai |
Social | paradise | paradise |
The volume concludes with chapters that review and draw conclusions about paradise similarities and paradigm differences. It is not possible to do justice to Buck's conclusions in a short review, but in summary, the similar symbols in Persian Christianity and the Bahá'í Faith are ensconced in two different paradigms about soteriology (the theology of salvation). According to Buck, Persian Christianity's paradigm is sacramental; the Bahá'í Faith's is a paradigm about unity. Therefore Jesus, as "the Way" in Persian Christianity, achieves God's purpose of providing sanctification and immortality through the Eucharist a notion totally absent from the Bahá'í notion of prophetic history exemplified by Bahá'u'lláh as "the Promised One" who is the return of the bounty and perfections of Jesus, and whose purpose is unific rather than sacramental. The book argues persuasively that the Bahá'í Faith seeks a more collective salvation of humankind on a broader plain of unity, rather than on the sacramental and/or individual level of Persian Christianity and Christianity generally. This is an important foray into the deeper realm of each religion's framework of understanding. As even a cursory glance at the tables of key scenarios and root metaphors will show, there is a deceptive similarity to the symbols. Rather it is the underlying meaning, the ultimate concern, of each religion that must be uncovered through the symbols.
If there is any criticism to make of this work, it is that the Bahá'í Faith and Persian Christianity surely have paradigms that are of greater complexity than Buck was able to convey in the limited structure of his book. Buck uses an operational definition of "sacrament" as a priest-mediated sign or symbol of a spiritual reality. Although it could be argued that the Bahá'í Faith has formal religious acts that are symbols of a higher spiritual reality, and that observance of them contributes both to individual well-being and to unity of the community, they are not sacraments in this stricter sense. While the unity paradigm is the overarching frame of symbolic interpretation, there are incorporated in the Bahá'í Faith elements of other paradigms such as those of individual salvation (a Christian paradigm), family salvation (a Mormon paradigm), and the like. Nevertheless, as Buck demonstrates, the unity paradigm is the high-level prism through which Bahá'ís give everything else colour.
An additional benefit that this work affords to the Bahá'í community is the opportunity for profound learning about Christian communities of Iran that are relatively unknown in the west. The discovery of a Christian world unlike the one we know is refreshing and challenging. That Persian Christian symbols resonate with Bahá'ís is a startling discovery. Such symbols simultaneously carry some different meanings as mediated by the Persian Christian and Bahá'í paradigms. Bahá'ís therefore owe three debts to Christopher Buck's Paradise and Paradigm. First, that we perforce had to absorb the symbolism of an unfamiliar faith community. Second, that we then had the opportunity to see our own symbolic worldview with new eyes. And third, that we have before us a new model of comparative religious studies for reading symbolic similarities in light of paradigmatic differences.
The larger dimension of Buck's work is its contribution to the study of religious mythology in the broad sense of the universe of metaphors, analogies, signs, symbols, and stories that make up the cosmologies and worldviews of human beings. That there are similarities in symbols, but differences in the paradigms ("myths"), of two religions means that the created world affords us symbols that can be recycled and yet can be understood in an infinite number of ways. For this very reason, the scholar and the believer are presented with problems of interpretation that suggest a need to guard against two extremes. The well-known mythologist Joseph Campbell described these extremes as:
... the positivistic...represented, on the one hand, by religious experiences of the literal sort, where the impact of the daemon, rising to the plane of consciousness from its place of birth on the level of the sentiments, is taken to be objectively real, and on the other, by science and political economy, for which only measurable facts are real... Whenever a myth has been taken literally its sense has been perverted...[and] whenever it has been dismissed as merely priestly fraud or sign of inferior intelligence, truth has slipped out the other door.[3]
Paradise and Paradigm avoids these extremes. It is a work of scholarship that can see clearly from outside, and yet impart inner truth. It treats, with tremendous respect, accuracy and courtesy, two religious traditions. It catalogues, with objectivity and due regard for faith and science, the symbolic universes of Persian Christians and Bahá'ís. For that reason, I believe that this tool will inspire a wealth of better studies and sound dialogue with other religious traditions, and will help those who are Bahá'ís to understand more deeply the mythic and symbolic universe of their own faith.
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