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Abstract:
A look at the works of some 20th-century artists to show that, whether they were aware of the Baha’i revelation or not, many of these artists have been compelled to express the quiet, yet unmistakable theme of a "new creation."
Notes:
See also journal.bahaistudies.ca/online/issue/archive. See also original scan.
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7:1, pp. 1-21
About: The theme of destruction is so common in twentieth-century art that it is easy to make the superficial mistake of dismissing much of modern art as dealing only with death and despair. However, a closer study of this period can reveal that there has also always been a fascination with the subjects of birth, renewal, and new beginnings. Many of the art forms of our century exhibit a profound and purposeful break from the past and can be understood as a continuing attempt by modern artists to create a unique and unprecedented visual language for the age in which we live. This article looks at the works of some twentieth-century artists to show that, whether they were aware of the Baha’i Revelation or not, many of these artists have been compelled to express the quiet, yet unmistakable theme of a "new creation." Download: badiee_images_new_creation.pdf.
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Views | 814 views since posted 2021-11-23; last edit 2022-04-01 23:49 UTC; previous at archive.org.../badiee_images_new_creation |
Language | English |
Permission | publisher |
Share | Shortlink: bahai-library.com/5893 Citation: ris/5893 |
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